Showing posts with label Isamu Noguchi. Show all posts
Showing posts with label Isamu Noguchi. Show all posts

Monday, December 30, 2019

Noguchi Museum Part 2

After lunch I found another indoor location to sketch at the Noguchi Museum. This was a big piece and again I think the windows help set it off. I should have paid closer attention and written down the titles of the sculptures. They had sheets with the titles when you entered the room but the titles weren't near the pieces.


Rather than sketch another sculpture I was attracted to the view out a low window in the corner. It gave a good view of the top of this birch tree with the electric wires and all.



Sunday, December 29, 2019

Noguchi Museum Part I

The NYC Urban Sketchers visited the Noguchi Museum in Long Island City yesterday. The sketchers had been there before but I had missed that sketching opportunity. I didn't know much about the artist, so here is a bit of his bio from the museum website.
Isamu Noguchi (1904–1988) was one of the twentieth century’s most important and critically acclaimed sculptors. Through a lifetime of artistic experimentation, he created sculptures, gardens, furniture and lighting designs, ceramics, architecture, and set designs. His work, at once subtle and bold, traditional and modern, set a new standard for the reintegration of the arts.

The museum is in a huge, two-floor red industrial building and has meditation gardens outside and lots of Noguchi's sculptures all around the inside galleries as well as the outside gardens. I liked the way the sculptures looked against the big windows overlooking the gardens.


On the top floor there were a lot of smaller sculptures that almost looked like they were set into the floor.


While I was sketching there was a docent giving a tour. It was interesting to hear some of the details of his life. The complete bio on the museum website is an interesting read.

I also forgot to post this sketch of Toby, my sister's dog. I kept trying the whole time we were in Maine to sketch him but he moves too much. Finally I had part of him sketched and my nephew sat with him so he would stay and I could finish the rest of the sketch. He actually is Michael's dog.